In photography a texture image or “texturing” is used to enhance or accent some part of the image in your digital darkroom. Although they can help you create eye-catching works of art, textures also can be very easy to overdo. In this article I’ll explain my process for adding textures to my photography, using Adobe Stock and Photoshop, to create more impact, transform the mood of the image, or improve on the composition.
Curves layers are one of the most misunderstood, yet more powerful adjustments you can make. Our images are all made up of pixels, which each have values for color and luminosity. With Curves adjustments, we can remap the pixels’ values for these, changing them to be brighter or darker, or changing their color. In Skylum Software’s Luminar you can add multiple curves filters, and make each layer target very specific parts of your image. This will give your images more depth, dimension, and beautiful color.
I have a new article published today on Photofocus, titled “Photographer of the Day: Neil Edwin Sinadjan”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Neil Edwin Sinadjan
I have a new article published today on Photofocus, titled “The Life Cycles Approach to Wildlife Photography – Part 2: Capturing the Complete Picture”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: The…
I have a new article published today on Photofocus, titled “Photographer of the Day: Johann Walter Bantz”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Johann Walter Bantz
Every chance you have with a wild animal in front of your lens is an opportunity not just to capture split-second moments of action or behavior, but to also learn more about its life story. The things this creature does daily to survive and thrive in an often harsh world. As photographers, we are storytellers. By telling an animal’s tale through your photography, you reveal one of countless stories being played out as part of a greater whole within the place this animal calls home. Not just the story of an animal, but also a family, a species, an ecosystem, and a planet.
In this article, I’ll share tips on creating wildlife photography through capturing life cycles and histories, all those intimate moments that help define the lives of wild animals. Wildlife photography from a life cycles approach not only gives structure and purpose to your photography, but also adds to the broader knowledge about these creatures, necessary to understand and protect them. Every time you create a wildlife photo, you can help educate others about the general awesomeness that is nature, and the specific awesomeness that is this animal. Pretty cool when you think about it that way! (Have I mentioned I truly love what I do and this is one of the big reasons why! )
If you would like to experience a beautiful vision of a vintage holiday, look no further then this image, “GMC Christmas” by Dawna Moore. Part holiday cheer, part nostalgia, it’s a warmly lit scene featuring Christmas decorations along with a nice slice of Americana. Beyond these elements, the composition and lighting are excellent, from the technical choices with aperture to create the starbursts on the Christmas lights, to the balance of complimentary colors with the reds and greens. The portrait orientation of the photo helps simplify a busy scene, placing the focus on the wreath and letting your eye travel throughout the frame to take in all the detail.
I have a new article published today on Photofocus, titled “Photographer of the Day: Mark Meyer zur Heide”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Mark Meyer zur…
I have a new article published today on Photofocus, titled “Photographer of the Day: Bert de Bruin”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Bert de Bruin
I have a new article published today on Photofocus, titled “Photographer of the Day: Jim Sollows”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Jim Sollows
Nature is extraordinarily complex and beautiful, it is easy to forget in our modern world just how powerful its forces are. But, being a nature photographer presents constant, humbling reminders of this fact! A large part of what drives me is wanting to experience every facet of nature, then create and share images of these forces at work. In doing so I am often going into potentially dangerous situations for me and my gear.
In my part of the world, wildfires are a necessity to the health of our ecosystems. But, they are, to put it bluntly, scary as @#$%! Dangerous, fast, and unpredictable, shooting them requires gear and techniques that let you react quickly to the situation to keep yourself out of harm’s way, and out-of-the-way of the responder’s managing the scene. Here is how I capture images and video of one of nature’s most beautifully dangerous forces, wildfire.
While Adobe has come to be nearly synonymous with digital photography, their customers are creatives of all types. With the creation of Adobe Stock they recognized that creative people often need the work of other artists to complete their own projects. As Creative Cloud has rolled out, we have seen an even deeper integration of Adobe Stock with their library of software, building access into their products for an easy way to add stock images to projects.
On the flip side, Adobe has also recognized the people who use their products are the same ones who create the content they sell on Adobe Stock. So, they also made it easy for artists to submit their work to this ever growing marketplace of imagery. Adobe Stock is a easy way for image creators to market their work, providing a good resource to learn how to submit quality stock photography with a consistent workflow. This article covers the process for getting your contributor account set up, and ready for you to start uploading images.
The power of photography is its ability to make us feel and imagine from nothing more than a 2 dimensional collection of dots on a piece of paper or computer screen. “Mannequins” by Isengardt, definitely makes you feel something, the best word I have to describe it is “uncomfortable”. This is a “rule breaker” image, and why it works so well. The mannequins have been transformed by the light and composition into something other than the typical figure of glamour we expect. Messy hair, harsh light, and black clothes create something more out of a Hitchcock movie then a department store. We associate the eyes with life and personality, here they are lifeless, the gaze of each directed somewhere off frame. This otherworldly scene takes the viewer out of their comfort zone, one of the greatest purposes of art.
“The purpose of art actually is, in many cases, to make you feel quite uncomfortable. Or at least to go to that place that’s already of discomfort inside of you and tap into that.” – Michael Moore
There are places that can be too difficult to stay with a camera and shoot, there are events that are too dangerous to be around when they occur, and there are animals that are too shy of humans to ever get near to photograph. This is when photographers turn to using Photo or Camera Traps, a way to capture these types of images or video from a distance by remote control.
In part 1 of this series, I covered the fundamentals of creating a simple remote camera trap. Now that you have that skill in your proverbial photography toolbox, let’s talk about more advanced setups and how to use the Platypod to support multi-light nighttime photo traps and remote video capture.
Digging into Skylum’s newest version of Luminar, the first question I had to answer is, “what can it do that will save me time, make my images look better, and not take forever to learn?” Once you open the program up, you find a tremendous amount options for processing. But, it is an easy to learn program that I have found can help you make quick adjustments to get great results. These tips and techniques will help you sift through the options and features, so you can develop (pun intended) your own workflow, not just for your landscapes, but any type of photography.