I have a new article published today on Photofocus, titled “How to Enhance Your Photos With Textures – Part 2: Blending”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: How to Enhance Your…
I have a new article published today on Photofocus, titled “Wade Right In: A Nature Photographer’s Guide to Wading to Get the Best Shot”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Wade…
Many of us love the experience of creating photos, but have a habit of stockpiling those photos on a mishmash of drives and cloud storage, where they remain unseen by ourselves or anyone else. Sometimes guilty of this myself, I long ago stopped printing my work. With web based portfolios, social media, cloud file delivery, and all my customers and audience online, why bother? Over time, I got rid of all my printers, outsourced everything and generally avoided anything to do with putting ink on paper. I’m sure I am not alone in this, how many of you out there haven’t printed anything in a long time, or have never printed anything at all?
Recently, I had the opportunity to to select one of my favorite photos, and have a print made of it by ArtisanHD. When the piece arrived and I opened the box, it all came flooding back. Just how cool it’s to see your work big on the wall. This wasn’t about ego, it was about seeing the product of creativity and effort, reliving the memory of making that image, and rediscovering just how much I love photography. In this article I’ll explain how printing your work can make you a better photographer, through my experience of having a large print made of one of my favorite photos.
In photography a texture image or “texturing” is used to enhance or accent some part of the image in your digital darkroom. Although they can help you create eye-catching works of art, textures also can be very easy to overdo. In this article I’ll explain my process for adding textures to my photography, using Adobe Stock and Photoshop, to create more impact, transform the mood of the image, or improve on the composition.
Curves layers are one of the most misunderstood, yet more powerful adjustments you can make. Our images are all made up of pixels, which each have values for color and luminosity. With Curves adjustments, we can remap the pixels’ values for these, changing them to be brighter or darker, or changing their color. In Skylum Software’s Luminar you can add multiple curves filters, and make each layer target very specific parts of your image. This will give your images more depth, dimension, and beautiful color.
I have a new article published today on Photofocus, titled “Photographer of the Day: Neil Edwin Sinadjan”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Neil Edwin Sinadjan
I have a new article published today on Photofocus, titled “The Life Cycles Approach to Wildlife Photography – Part 2: Capturing the Complete Picture”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: The…
I have a new article published today on Photofocus, titled “Photographer of the Day: Johann Walter Bantz”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Johann Walter Bantz
Every chance you have with a wild animal in front of your lens is an opportunity not just to capture split-second moments of action or behavior, but to also learn more about its life story. The things this creature does daily to survive and thrive in an often harsh world. As photographers, we are storytellers. By telling an animal’s tale through your photography, you reveal one of countless stories being played out as part of a greater whole within the place this animal calls home. Not just the story of an animal, but also a family, a species, an ecosystem, and a planet.
In this article, I’ll share tips on creating wildlife photography through capturing life cycles and histories, all those intimate moments that help define the lives of wild animals. Wildlife photography from a life cycles approach not only gives structure and purpose to your photography, but also adds to the broader knowledge about these creatures, necessary to understand and protect them. Every time you create a wildlife photo, you can help educate others about the general awesomeness that is nature, and the specific awesomeness that is this animal. Pretty cool when you think about it that way! (Have I mentioned I truly love what I do and this is one of the big reasons why! )
If you would like to experience a beautiful vision of a vintage holiday, look no further then this image, “GMC Christmas” by Dawna Moore. Part holiday cheer, part nostalgia, it’s a warmly lit scene featuring Christmas decorations along with a nice slice of Americana. Beyond these elements, the composition and lighting are excellent, from the technical choices with aperture to create the starbursts on the Christmas lights, to the balance of complimentary colors with the reds and greens. The portrait orientation of the photo helps simplify a busy scene, placing the focus on the wreath and letting your eye travel throughout the frame to take in all the detail.
I have a new article published today on Photofocus, titled “Photographer of the Day: Mark Meyer zur Heide”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Mark Meyer zur…
I have a new article published today on Photofocus, titled “Photographer of the Day: Bert de Bruin”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Bert de Bruin
I have a new article published today on Photofocus, titled “Photographer of the Day: Jim Sollows”. Here’s a sneakpeek… ” …” Check out the rest of the article at this link: Photographer of the Day: Jim Sollows
Nature is extraordinarily complex and beautiful, it is easy to forget in our modern world just how powerful its forces are. But, being a nature photographer presents constant, humbling reminders of this fact! A large part of what drives me is wanting to experience every facet of nature, then create and share images of these forces at work. In doing so I am often going into potentially dangerous situations for me and my gear.
In my part of the world, wildfires are a necessity to the health of our ecosystems. But, they are, to put it bluntly, scary as @#$%! Dangerous, fast, and unpredictable, shooting them requires gear and techniques that let you react quickly to the situation to keep yourself out of harm’s way, and out-of-the-way of the responder’s managing the scene. Here is how I capture images and video of one of nature’s most beautifully dangerous forces, wildfire.
While Adobe has come to be nearly synonymous with digital photography, their customers are creatives of all types. With the creation of Adobe Stock they recognized that creative people often need the work of other artists to complete their own projects. As Creative Cloud has rolled out, we have seen an even deeper integration of Adobe Stock with their library of software, building access into their products for an easy way to add stock images to projects.
On the flip side, Adobe has also recognized the people who use their products are the same ones who create the content they sell on Adobe Stock. So, they also made it easy for artists to submit their work to this ever growing marketplace of imagery. Adobe Stock is a easy way for image creators to market their work, providing a good resource to learn how to submit quality stock photography with a consistent workflow. This article covers the process for getting your contributor account set up, and ready for you to start uploading images.